AR Rahman Clarifies Controversial Bollywood Remarks: 'I Have Never Wished To Cause Pain To Anyone'

Music maestro AR Rahman has issued a heartfelt clarification following criticism over remarks he made in a recent interview, reiterating his deep-rooted connection with India and stressing that his words were never intended to divide.

The composer, who has found himself at the centre of a wider debate on prejudice and creative space in Bollywood, addressed the controversy through a video statement.

Accompanied by visuals of a stadium singing along to Maa Tujhe Salaam/Vande Mataram, Rahman spoke of India as both his inspiration and home.

Reflecting on the role music has played in his journey, he said, “Music has always been my way of connecting, celebrating and honouring our culture. India is my inspiration, my teacher and my home. I understand that intentions can sometimes be misunderstood. But my purpose has always been to uplift, honour and serve through music. I have never wished to cause pain, and I hope my sincerity is felt.”

Rahman went on to highlight several projects that, he said, reflect his belief in India’s pluralistic spirit.

He cited nurturing Jhalaa at the WAVES summit, Rooh-e-Noor, collaborations with young Naga musicians, the creation of a string orchestra, mentoring the Sunshine Orchestra, and building Secret Mountain, described as India’s first multicultural virtual band.

He also referred to his recent work on Ramayana, scored alongside Hans Zimmer, as a milestone that strengthened his artistic purpose.

Expressing gratitude for the creative freedom he associates with the country, Rahman added, “I feel blessed to be Indian, which enables me to create a space which always allows freedom of expression and celebrates multicultural voices.” He concluded by reaffirming, “I remain grateful to this nation and committed to music that honours the past.”

The clarification follows an interview with BBC Asian Network, where Rahman was asked about changing power dynamics in Bollywood and whether he felt any prejudice, he remarked that “Maybe I never got to know of this, maybe it was concealed by God, but I didn’t feel any of this. The past eight years, maybe, because a power shift has happened, and people who are not creative have the power now. It might be a communal thing also but it is not in my face.”

Rahman also criticised Chhaava, describing the movie as one that exploits divisiveness. These comments triggered mixed reactions, leading to the current public discourse.

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